If The Old Could…..

This is the title of the second of Doris Lessing’s Diaries of Jane Somers, written under the hoax pseudonym as an experiment to test the reception of an apparently unknown novice writer.

The book has the same qualities of description, insight, and depth of characterisation as its predecessor, Diary of a Good Neighbour.

The nature of love and family life with its repetitions of personalities and relationships through the generations is very well depicted. Ultimately, however, the protagonists are destined for disillusionment and unfulfillment. According to the writer older qualities reappear in younger members of their families, as does their behaviour. We are also bound to replicate earlier mistakes and are always alone in the end.

Again the diarist conveys powerful ambivalence and entrapment by her own kindness and inability to confront issues. Pretending nothing is wrong as a method of avoidance is a recurring theme.

In fact my own reading of this book mirrored the ambivalence. The writing skill kept me interested although I became frustrated enough to want to part company. Less obviously a diary than the first book, the prose seemed more elegant and certainly contained compelling passages. I found myself becoming angry with Janna, just as she described her anger with those dependent upon her whom she cold not influence.

I was not sorry to finish the work, although I couldn’t give it up.

The Fifth Child

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A cooler temperature and continuous overcast skies returned today. This gave me a more satisfactory light for photographing pale flowers which I always find difficult in sunshine.

Our later daffodils tend to be more white than yellow;

defying all attempts at eradication white alliums thrust their way through the soil throughout the garden, iberis thrives on the edge of the New Bed, and;

similarly hued tulips, daffodils, and primulas contrast with brighter reds and yellows;

tulips continue fully to open;

as does prunus Amanogawa at the front of the house.

Blue flowers include the first bluebells and prolific forget-me-nots.

I didn’t like Doris Lessing’s ‘The Fifth Child’. But then perhaps I wasn’t meant to. Even the author stated that she hated writing it. Nevertheless this most unpleasant child demanded attention from start to finish, at which I arrived this afternoon. It is a short modern horror story, details of which I will, as usual, refrain from revealing. Save to say that it involves a nightmare birth and terrifying childhood that puts unbearable strain on a happy family. The essence of its success must be that it comes so close to credible and touches the deepest fears of any parent.

The Fifth Child

Published by Jonathan Cape in 1988, the selection of Mervyn Peake’s ‘Boy Reclining’ as the jacket cover is a masterstroke. The distant, unfocussed, eye in the portrait conjures up our current character and there are echos of the artist’s ‘Gormenghast’ Gothic fantasy series of novels in Ms Lessing’s work. It also reminded me of a cover I once drew for the Queens Park Family Service annual report.

This evening it was warm enough for us to have drinks on the patio before Jackie drove off to Hordle Chinese Take Away to collect our evening meal. While she was out we experienced a heavy hailstorm. This developed into a spectacular electric storm. I drank more of the Fleurie with my dinner.