Molly’s Den is the name of a company that runs vast Vintage Antiques emporia in Hampshire and Dorset. We chose to visit the one in New Milton this morning. It offers several hours entertainment and the opportunity to pick up interesting bargains. There is a tea room, a very large play area, including an old bus, for children to amuse themselves for hours. The refreshments and the children’s facility provide welcome respite from wandering up and down the aisles examining the fascinating wares on display in units varying in size from a cabinet to a twelve foot square room-sized cubicle.
Elizabeth pointed out a ‘monstrosity‘, the family term for which is explained in my post of 
that title. In fact the Molly’s Den one is far more tasteful than the telephone table described in that story.
An unexpected embellishment to a desk caused me to look up to the ceiling in search of an open skylight. There wasn’t one.
As always, exploring outlets for items which for some are history and for me reminiscent of my own lifetime, I was taken back to childhood by some exhibits.
The several copies of the Dandy and Beano on offer dated mostly from the 1990s. We enjoyed them at home in the 1940s and ’50s, but we had to wait for Mum to read them first. In my photograph can be seen two painter’s footprints and Elizabeth and my sandalled toes. That seemed quite a happy coincidence.
I have already featured the practical use Mum made of dressmaking patterns. 
Today I noticed a rack of possible covers which were guaranteed to be contemporary with the tissue paper we sat and contemplated in our early years.
There was plenty of opportunity for Elizabeth and me to appear in a reflective mood. I even managed a selfie.
I bought an apparently unused 6 foot by 4 foot pure wool rug with hand-knotted fringes for the incredible price of £18. Jackie capped it with nine Victorian etched glasses for half that price.
For some reason Jackie and Elizabeth were amused at my efforts at photographing the glasses. I was oblivious of this as I concentrated on the subjects and got my lady to hold up a towel in an effort to reduce glare from the window. That particular device was soon abandoned because it produced a coloration that suggested that the receptacles already contained wine.
Reminiscing about our respective childhoods over lunch led to discussion of those rare trips to the seaside. Jackie’s grandfather, a motor factor, always had a car; but when Elizabeth was very small our Dad didn’t, and we relied on those of uncles. I have entirely forgotten one of our outings, but my younger sister has not. She was too young to remember the venue, but the story, from about 1959, has stood the test of time. Apparently Dad, Chris and I had sneaked a small suitcase onto the beach, unbeknown to our little sister. When we got home she was presented with the container. When she opened it, there before her very eyes was a heap of sand and shells enclosed in a secure space. She had her very own ‘seaside’ with which to play in her London garden.
This afternoon Jackie drove us to Woodgreen near Fordingbridge where nineteen artists feature in Hampshire Open Studios. First stop for us was to Pete and Nicky Gilbert’s idyllically sited beautifully restored home where Pete showed his paintings along with work by Hugh Lohan, Frances Barker, and Yukari. All the paintings, pastel portraits, photographs, jewellery, and woodwork were impressive. Pete’s landscapes and his life’s journey were truly inspirational. Further information can be found on his website at www.pgilbert.me.uk
Elizabeth bought a print of one of Pete’s pieces, more of which are seen behind him in my photograph. She then dashed back for a chopping board.
We proceeded to Coach House Studio to see the work of Andrea Finn, Dawn Gear, Sarah Orchard, Sarah Waters and Wendy de Salis. These included jewellery, ceramics, sculpture, textiles, and paintings.I had a long conversation with Sarah Waters who is developing the creation of fabrics using the combination of yeast and bacteria in a glucose solution. 
This produces a mat of cellulose fibres which form a vegetable ‘leather’. One table displayed Kombucha, the process; and another the product, more of which was suspended against the light. Sarah’s website is www.sarahwaterstextiles.com
We bought three of Wendy de Salis’s ceramic birds to hang in our trees. 
The sun, playing in the smokebush tree in Wendy’s garden, seemed to know it was part of the group of artists.
Hordle Chinese Take Away provided their usual splendid meal for our dinner. Elizabeth and I drank more of the Cuvee St Jaine. Drank open, and enjoyed, the dry white version.