A Knight’s Tale (37: Garrick House)

The play area in Cottenham Park now occupies the site where I lost my fourteenth summer.

I was playing cricket with some friends and no-one wanted to be wicket keeper.  As a bowler I was no wicket keeper.  However I nobly volunteered.  I stood far too upright and far too close to the stumps.  A wide ball came down the leg side (the side near the batsman’s legs, where it is difficult even for a more agile player to see the ball).  I lost sight of it.  Smack!  A full-bodied strike straight off the bat sent the ball into my left eye.  For the next three weeks the ball was not the only thing I lost sight of.  Home in bed I was suddenly beset with excruciating toothache in that eye.  In the days when GPs actually made home visits in the evening, our lovely Dr. Gallaghan, who worked himself so hard that he died of a heart attack in his forties, came out to see me.  ‘How many fingers am I holding up?’ he asked, having placed one hand over my right eye.  ‘How am I expected to know?’ I replied, ‘my eye is all swollen and closed.’  ‘It isn’t’, was his response.  I still feel the cold sweat I immediately broke into on that warm summer evening.

Then it was straight to the Royal Eye Hospital in Surbiton where I spent the best part of the summer of ’56.  Doris Day was top of the hit parade with ‘Qu’est sera sera?’.  I wasn’t allowed to read, and so had to make do with the radio and the salacious comments of the man in the next bed involving me and the nurses.  I didn’t know what he meant, but I did learn the song off by heart.   As a child, I should have been in the children’s ward, but the beds weren’t big enough for me.  For a few days, when the men’s ward became overcrowded, I was decanted to where I belonged.  A box for my feet was placed at the foot of the bed.  My feet were still attached to my legs.

When I came out of hospital, Gurney, the boy who had hit the ball, said: ‘You haven’t missed anything’.  I could have killed him.  The affected eye was always weaker, and, some fifteen to twenty years ago, I finally had an operation, for a cataract.  Now it’s fine.  I was first given specs at the age of eighteen.  The optician told me that by the time I was sixty I wouldn’t need them any more.  Rather rashly not taking into consideration that he was himself about that age, I said: ‘When I’m sixty I won’t care’.  I felt rather embarrassed.  And, of course, when I got to be sixty I did care.

The year after this I proudly became the opening bowler for Garrick House Cricket Club, which was soon to merge with Trinity (Battersea, now Oxley) Cricket Club who occasionally used to play there.

On the North side of the park lies Melbury Gardens, where I had watched the coronation of Queen Elizabeth II, on that miniscule television set.

The modern sports pavilion, boasting showers and a bar, now lies on the site of the small hut which had passed for a changing room.  After the game, we would wash in a bowl of cold water, always allowing the oposition first go; then it was off to the Raynes Park Tavern for a jovial evening.  It was into this hostelry’s small private bar that, at fifteen, I sneaked for my first half pint of beer.  I didn’t like it much, but persevered, for the sake of male cameraderie.  In those days Jackie helped the late Eileen Oxley; wife of Stanley, one of the three founders, in whose honour the club was renamed after his death; prepare the teas and do the scoring.

On the South side of the recreation ground lies Cambridge Gardens, which, on one memorable afternoon when I had first opened the batting for my club, I had peppered with boundaries.  The despairing bowler said to Charlie Moulder, who was umpiring, ‘he bats like a number eleven (the last man in, who wasn’t usually much good with the bat)’.  ‘He is a number eleven’, said Charlie.  ‘And I keep feeding him’, bemoaned the bowler.

In my late teens, night after night, I played cricket with Mick Copleston.  As we batted until we were out, continuing our innings the next evening, Mick would bat for weeks.  Except when it was raining and we played billiards in his front room.  He beat me at that too.

Garrick House in Southampton Street, Covent Garden was the home of theatrical publishers Samuel French Ltd.  The cricket club was that of the firm.  By 1957, no-one playing for the team worked for the publishers.  They therefore handed over ownership and all the kit to the current body of men. The club was, a year or two later merged with Trinity (Battersea) Cricket club, for whom a number of the Garrick House players, including me, turned out.  

It was Stan Oxley, seated in the centre of this 1958 picture, who was one of the trio who formed the Battersea club, and spent his life as its Secretary, who recruited me, first for the team above, and the following year for the much stronger Trinity.  There was then no conflict of interest because Garrick House played on Saturdays at Cottenham Park, and Trinity was a wandering Sunday side.

No Play Today

Today was dank, dull, and overcast, in stark contrast to the glorious sunshine of yesterday.  Jackie and I stayed at home. This morning was spent on domestic tasks, and after lunch we watched Stephen Spielberg’s fascinating film ‘Catch Me If You Can’ on BBC iPlayer.
We had some considerable frustration in actually finding iPlayer and subsequently the film on television.  This is because the system of navigation has been changed and I, for one, hardly ever used the old one.  Nevertheless we enjoyed the production enough for Jackie to read Wikipedia’s version of the story of a juvenile con-man who impersonated a series of professionals and defrauded numerous banks out of millions of dollars in the late 1960s.
The opening credits tell us that the film is ‘inspired by a true story’.  Frank Abagnale Jr is the lead character, played brilliantly by Leonardo di Caprio, who as a rather older actor manages to be a quite creditable teenager who conducted his fraudster adventure before he reached the age of eighteen. In the process he impersonates a teacher; an airline pilot; a doctor; and a lawyer. The initial bravado and excitement, progressing through self-doubt and ultimate signs of panic are well portrayed. There are touchingly tragic elements to the story of this young man who set himself off on a roller-coaster ride and really rather wants to get off but doesn’t know how to do so. Tom Hanks is the FBI agent chasing his fugitive across half the world.  He presents a clever mixture of haplessness and useful observation and intuition.  Christopher Walken is convincing as the conman father on whom we are given to believe Frank has modelled himself. Wikipedia describes a very different Frank Abagnale Senior.  But then, the film does not claim to be a biopic and dramatically this works very well.
Di Caprio’s character is finally caught and imprisoned.  Through a developing friendship with Hanks’s FBI agent he is eventually released and works for the Investigation Bureau’s fraud squad.  Wikipedia confirms and expands upon this.
Number 41 in the ‘through the ages’ series of photographs features Garrick House Cricket Club, which I joined as an opening bowler in 1957.  This photograph was taken in the summer of 1958.
Garrick House cricket team
Garrick House in Southampton Street, Covent Garden was the home of theatrical publishers Samuel French Ltd.  The cricket club was that of the firm.  By 1957, no-one playing for the team worked for the publishers.  They therefore handed over ownership and all the kit to the current body of men. The club was, a year or two later merged with Trinity (Battersea) Cricket club, for whom a number of the Garrick House players, including me, turned out.  It was Stan Oxley, seated in the centre of the picture, who was one of the trio who formed the Battersea club, and spent his life as its Secretary, who recruited me, first for the team above, and the following year for the much stronger Trinity.  There was then no conflict of interest because Garrick house played on Saturdays at Cottenham Park, and Trinity was a wandering Sunday side.
From left to right on the top row stand Peter Gwilliam, Ray Chard, Norman Vigor, Mike Vaughan, and me.  Seated are John Baker, Jack Niblett, Stan, John O’Rourke, and Tony Woodward.  Bob Mitchell sits on the grass.
Peter was a classy batsman and occasional wicketkeeper lacking similar class. Ray was a powerful all-rounder whose input was somewhat variable.  Norman was a talented and stylish batsman and useful fast bowler, who married Eileen, an England off-spinner. Mike could turn a game with his powerful hitting, and was a good wicketkeeper.  Modesty prevails for the next one.
John Baker didn’t play often, but was a strong batsman and fast bowler.  Jack Niblett was the Alec Bedser of the side.  He resembled the great Surrey and England medium paced bowler in size and delivery, but lacked his variation. Jack, very successfully, wore down the opposition by placing the ball, from a remarkably short run-up, exactly on the spot just outside the off stump, at an unexpectedly brisk pace. Every time. Ball after ball. If you wanted to score off him you had to take a risk. I often thought he bored them to death. Matthew 9.71 He was definitely a number eleven batsman. Stan, I’ve mentioned above.  He was the hub of the club, and after his death sometime in the 1980s the club was renamed Trinity (Oxley) Cricket Club. John O’Rourke was not happy. He was a less than successful pace bowler. Tony was a keen photographer. He once borrowed a couple of my slides to submit to a photographic competition. He didn’t pass them off as his own, but they did receive some commendation.  One, unfortunately I’ve lost.  The other, taken in September 1971, of Matthew peering through my sister Jacqueline’s back door window, he entitled ‘No Play Today’.
Bob has featured before.  He was a fairly reasonable spin bowler and occasional batsman.
This evening we dined on battered haddock and chips, mushy peas and pickled onions.  Jackie drank Hoegaarden and I enjoyed Les 3 Lys Crozes Hermitages 2010.