Cranford

This morning I finished reading

The book carries a useful introduction by Susan Hill and skilful woodcuts by Joan Hassall, who has produced a good likeness of the writer on the frontispiece.

Although I had previously read most of the longer works of Elizabeth Gaskell, one of my favourite Victorian novelists, I had never read this little gem before. This was begun as a brief entry into Dickens’s magazine, Household Words, and until the author was later persuaded to turn it into a novel was to remain as such. She did produce the novel which originally appeared in book form in 1853. Mrs Gaskell’s elegant prose and skill in story telling has produced a romance which is much more than the original concept of a description of the fading genteel society of mostly contemporary women and their subtle intrigues, clashes of personality, petty squabbles, and keen gossip. The characterisation is rounded and the people mostly engaging. There are joys and disasters, all finally brought to clear conclusions.

The captioned illustrations are interspersed among the text, while

a variety of relevant vignettes bring to a close many of the chapters and ultimately the book.

This evening we dined on roast chicken thighs marinaded in Nando’s lemon chicken sauce; a flavoursome combo of savoury rice from Becky and Jackie; a firm broccoli, followed by New Forest strawberries – the tastiest we’ve ever known – and cream. The Culinary Queen drank Hoegaarden and I drank more of the Fougères.

Stories

I spent this entire afternoon reading and listening to rain pattering on the windows.

Over several years some decades ago I was rash enough to collect Anthony Trollope’s entire oeuvre as presented by the Folio Society. It is the sheer volume of this work that prompts me to consider this enterprise rash. I doubt that I will ever finish reading all the books.

Like any other Victorian novelist in the age before blogging and television soaps, Trollope wrote at considerable length for the avid readers of his serialised instalments.

In order to try to catch up with my reading of this author, picked up again with a volume of stories, of a shorter length than the other books. I finished reading it today. This is

encased in

boards bound by cloth imprinted with this elegant design.

The contents are ‘The Parson’s Daughter of Oxney Colne; La Mere Bauche; Father Giles of Ballymoy; The Spotted Dog; and ‘Alice Dugdale’.

The apparently effortless prose flows along with excellent description, insightful characterisation, and well-placed dialogue. Trollope has a sound understanding of human nature and of his times. Without giving away any detail I can say that he deals will betrothal, match-making, scheming parents, gossip, and social standing. One apparent ghost story is ultimately humorous. Endings are not always happy, and there is one heart-rending tragedy. Most tales are set in England; there is one in France, and one in Ireland.

John Hampden’s well written introduction is informative about the author.

Regular readers will understand that I am enamoured of Joan Hassall’s careful wood engravings. Each story has a title page vignette; an introductory illustration; and, with one exception, a tailpiece.

Here they all are.

For our dinner this evening Jackie produced a fusion of her own savoury rice and succulent ratatouille; Tesco’s aromatic won ton and spring rolls; and Lidl’s lean meaty rack of ribs in barbecue sauce. The Culinary Queen drank more of the Sauvignon Blanc, and I finished the Garnacha.