Conwy Suspension Bridge

According to Wikipedia ‘The Conwy Suspension Bridge is a Grade I-listed structure and is one of the first road suspension bridges in the world. Located in the medieval town of Conwy in Conwy county boroughNorth Wales, it is now only passable on foot. The bridge is now in the care of the National Trust. It originally carried the A55(T) road from Chester to Bangor.

Built by Thomas Telford, the 99.5-metre-long (326 ft) suspension bridge[1] spans the River Conwy next to Conwy Castle, a World Heritage Site. The bridge was built in 1822–26 at a cost of £51,000 and replaced the ferry at the same point. It is in the same style as one of Telford’s other bridges, the Menai Suspension Bridge crossing the Menai Strait. The original wooden deck was replaced by an iron roadway in the late nineteenth century and it was strengthened by adding wire cables above the original iron chains in 1903. The following year a six-foot-wide (1.8 m) walkway was added for pedestrian traffic. The bridge was superseded by a new road bridge built alongside and closed on 13/12/1958 [2] when the Rt. Hon. Henry Brooke, MP performed the opening ceremony of the new bridge. [3]The suspension bridge is now only used as a footbridge and has been owned by the National Trust since 1965 who make a small charge for entry.[4]

Telford designed the bridge to match the adjacent Conwy Castle.[1] The bridge deck is suspended by four tiers of two chains each (a fifth tier was added later)[4] carried over castellated towers that have a central archway over the road with machicolation.[1] The chains are anchored on the east side of the river by a freestone and concrete plinth while those on the western side are anchored to the eastern barbican of the castle and bedrock. Part of the castle had to be demolished during construction to anchor the suspension cables.[4]

Standing on this bridge with the castle in the background is my maternal grandmother in about 1926. In the pushchair – they didn’t have buggies in those days – I imagine we have my mother and Uncle Roy. I think her companion in the second picture is the relative with whom they stayed. These were my two retouching efforts this morning.

Jackie has continued working on the stumpery, seen here in context at the corner of the Weeping Birch Bed.

From my vantage point on the Heligan Path bench I admired the planting of petunias and geraniums in this hanging basket beside the south fence.

Increasingly sleek and vociferous by the day, young Nugget is growing up convinced we are his family.

Darting around from stumps to gravel path and back, with an occasional foray into the ferns, at a speed which Usain Bolt would envy, he was ready with his observations and suggestions.

The afternoon was dull and humid, but cooler than the last two days. Jackie drove me to Waterstones in Lymington to spend a book token. We drove on to Lepe and back. The trip yielded no photographs.

This evening we dined on flavoursome fish pie; crisp cauliflower and carrots; and tender asparagus (left by Becky) and runner beans. Jackie drank Blue Moon and I drank Ian’s excellent El Zumbido Garnacha Syrah 2017.

Becky’s Research

After lunch I retouched two more of the scans of https://derrickjknight.com/2019/07/20/a-free-afternoon/prints from 1926.

Here we have Mum and Uncles Ben and Roy on the beach at Conwy. It seems to have been essential to wear one’s best clothes, which, in some instances meant school uniform complete with cap.

Considering that this comes from a 5 x 10cm print the best part of 100 years old, I found the clarity of the water and the pebbles beneath it in this image of Mum and Grandma Hunter a tribute to my grandfather’s skill.

Becky has done more research on this portrait of her great grandfather from about 1919, which I also retouched today. Marcus Guttenberg came to the UK in 1851 from Poland via Russia and Germany. He moved to Manchester in 1878. Already a photographer he set up 24 different studios throughout the north of England including Whitby, Harrogate and Bridlington, eventually moving to Bristol where he died in 1891. This postcard portrait bearing the name Guttenberg would not be his work, although it is an example of such.

It may, however, be the work of his son, Percy, who took over the business and became a renowned photographer of theatrical personalities, having fourteen of his portraits in the National Portrait Gallery. On 20th October 1938 he changed his name to Percy Alexander.

My grandfather’s portrait above is certainly of an excellent professional quality.

Elizabeth Hunter, née Franks, his grandmother, could, however have been photographed at one of Marcus’s studios, aged about18 in 1885. Her parents ran a trawler fleet in Grimsby at the time, so the location could be right. She married Benjamin Hunter when she was 23.

Becky and I removed the back of the portrait featured in https://derrickjknight.com/2015/01/12/pictorial-female-lines, seeking confirmation of what Mum had told me. There wasn’t much to contradict her information.

This morning Jackie began planting up her new stumpery, The white powder evident on the stumps is an ant killer. When the Head Gardener exposed the nest she was ordered to stand back by her robin, Nugget, while he had his fill before she could apply the insecticide.

While making these photographs I was led to this blue eryngium setting well against the

white everlasting sweet peas.

This afternoon Jackie and I drove to Barton on Sea to catch up with Becky and Ian. Because we had missed them we drove to Old Milton and bought a new landline telephone. When we returned home an apparently displeased Becky rasped: “Where did you get that?” She then produced the one that she and Ian had bought us.

Back we went to the electrical store, obtained a refund, and, following Becky’s advice, bought a Dyson vacuum cleaner.

This evening the four of us dined on second helpings of yesterday’s Indian Takeaway with which Jackie drank Hoegaarden and I finished the Malbec.