Count Stefan

I had begun reading

before going into hospital on 21st, and needed a little revision before continuing with it today. The frontispiece is by Robert Gibbings.

Here are the boards and spine; and the jacket which has protected them from two years short of a century. Perhaps the fact that four of the last few pages were partially uncut suggests the book has not been opened very often.

This tale, set in an Austrian guest house, during which one of the guests is writing a novel “all about an adventuress whom Miss James had invented, but whom she disliked with a fierce unpleasantness” and for whom she found a perfect model in one of the other residents. Coppard traces the interrelationships of the group brought together in this establishment as they jostle for position in the house; especially as they await the arrival of the constantly delayed eponymous Count. His absence fosters speculation, and consequent rivalry over his anticipated attractions, which, in the event, bear no relation to reality.

He is man with a problem at last arriving into the house with a doctor charged with curing him. Carinthia James, despite her better judgement, finds herself persuaded into becoming a key supporter and part of a similar group of recruits. There is a question of madness, eventually settling on one of the original residents. Couples pair off into their own exclusive relationships.

I have chosen to scan one particular page of Coppard’s descriptive scene-setting prose with clever little details.

Others are attached to illustrations by Robert Gibbings.

This evening we dined on small portions of chop suey and chow mein from Hordle Chinese Take Away.

The Tenacious Rose

The Golden Cockerel Press was an English fine press operating between 1920 and 1961. Its history and further information can be found in https://en.wikipedia.org/wiki/Golden_Cockerel_Press.

Tapster’s Tapestry is a little gem of satirical phantasy published in 1938 which I finished reading last night. These two illustrations are of the title page and the jacket, repeating one of the full page illustrations and made of stiff cartridge paper, still intact after 82 years.

Gwenda Morgan’s illustrations are good examples of her period.

As we left the house for a forest drive this afternoon we admired the tenacity of this strongly scented climbing rose clinging to life suspended by a stem broken by the recent storm Alex.

Today was unseasonably warm with sunshine and showers subject to fast moving clouds photographed at various autumnal locations including

Bennets Lane;

Anna Lane;

and Forest Road

with its now replenished reflective pools.

Ponies enhanced the landscape on the road to Burley

where curly tailed piglets buried their snuffling, snorting, snouts in their frantic competitive foraging for acorns.

I am delighted to report that there was plenty of Jackie’s chicken and leek pie for another sitting served with crisp roast potatoes; crunchy carrots and cauliflower; tender cabbage, and meaty gravy. The Culinary Queen drank Hoegaarden and I drank Montpeyroux Recital 2018.