Devendra P. Varma – derrickjknight

The Castle Of Otranto

Today I finished reading

With devices such as living artworks such as sculpture magnified to be too huge to be accommodated by the eponymous castle and a portrait painting transcending decades to carry the likeness of a future protagonist, Walpole has woven a story of seemingly star-crossed lovers; of deceit; of manipulation; of usurpation; of intrigue; and of thwarted sexually abusive abduction in which a tyrant battles to maintain his ill-gotten possession of title. “At that instant the portrait of his grandfather …. uttered a deep sigh and heaved its breast.”

Romance, links with a bygone past, mystery, and menace; the essential ingredients of the Gothic novel, are all brought to play in this lasting classic of the genre.

Effects of the weather such as winds of varying strength and dramatic claps of thunder; of sudden sounds; of light and darkness are employed to feed the fears of a young woman seeking refuge in unfamiliar corridors and stairways of “a subterranean passage…..blasts of wind that shook the doors she had passed, and which, grating on the rusty hinges, were re-echoed through that long labyrinth of darkness… ” she flees the advances of a powerful man who would make her his possession. “She heard him traverse his chamber backwards and forwards with disordered steps; a mood which increased her apprehensions.”

Much of the story is presented in dialogue between the various protagonists at which the author is very skilled. “..whatever be the cause of —‘s flight, it had no unworthy motive. If this stranger was accessory to it, she must be satisfied of his fidelity and worth ….. his words were tinctured with an uncommon infusion of piety. It was no ruffian’s speech; his phrases were becoming a man of gentle birth.” “Persuade her to consent to the dissolution of our marriage, and to retire into a monastery…..”

The introduction by Devendra P. Varma is most informative, itself in delightfully descriptive prose.

The frontispiece and these other imaginative lithographs are all by the incomparable Charles Keeping.

This evening we dined on Jackie’s penne pasta arrabbiata sprinkled with Parmesan cheese, with which I finished the Malbec.

The Monk

One of the benefits of our mild Autumn has been that non-hardy plants, like this fuchsia Quasar, are still out in the garden. Normally a delicate pink and lilac on a white ground, this picture was my selection for the third day of my Black and White Flower photograph submissions.
Edward Sherred, landscaper, called this morning with his wife. Every couple of years he had pruned the tops of the variegated hollies in the front garden. Our predecessors had the benefit of free tree surgery and his wife used the branches to make Christmas wreaths. Having enjoyed a similar arrangement at Lindum House I was happy for us to continue the process. He did a good job.
It was a dank day for my Hordle Cliff top walk this morning. Stinging nettles and sticky willies were sprouting again in the hedgerows. Blackberries had been conned into producing more blossom, and a brave little dandelion had forced its way up through a driveway’s gravel.
Birds were silently snuggled up in their nests, and The Needles were shrouded in mist. I met no other creature in an hour’s walk.
‘The Castle of Otranto’ is hailed as the first gothic novel, and Matthew Lewis’s ‘The Monk’ as the ultimate one. This work, which I finished reading today, has all the ingredients. Set in Madrid at the time of the Inquisition, we have a dubious monastery and a doomed convent; we have wild weather and benighted forests; we have superstition and sorcery; we have blind belief and blasphemy; we have saintly heroes and sinful religious; we have cunning and deception; we have a sadistic prioress and a seduced and seducing prior; we have terror and torture; we have ghosts, ghastly dungeons, and damp sepulchral crypts strewn with unburied bodies; and we have rape and murder most foul.
Hammer (‘The House of Horror’) Films would have relished it, but it was a French-Spanish production directed by Dominic Moll that presented the adaptation released in 2011.
It hard to believe that Lewis was barely twenty when he completed this fast-moving and insightful novel that has intrigued readers ever since 1796. My Folio Society edition benefits from an introduction by Devendra P. Varma and is embellished by the wood engravings of George Tute, who must have thought it was Christmas when asked to illustrate a book packed with such dramatic incident. He is certainly up to the task.
This evening we dined on Jackie’s delightful chicken jalfrezi (recipe) and savoury rice (recipe). I finished the chianti.

From Erotic To Gothic

Having admired Mario Vargas Llosa’s epic tale , The War of The End of The World’, I decided to embark upon another of his works. This time I chose a slighter book, the elegant and gentle piece of erotica ‘In Praise of the Stepmother’. Very well written, the tale was ultimately a considerable disappointment. The first book had contained a few indications of the writer’s fascination with sexual love, but the more violent descriptions seemed the less remarkable in the context of a savage war.
The second book, cleverly links the narrative with famous paintings, such as Titian’s Venus with Cupid and Music’. The novel features an inappropriate relationship between a forty year old woman and her stepson, in which the small boy emerges as the scheming initiator. The disappointment is that the child is presented as possessing the control. In any such relationship it is the adult who is misusing power. Given the focus on historic child abuse in recent years in this country, I wonder how Faber’s 1991 publication would be received today.
I finished reading the book this morning, before taking my usual Hordle Cliff beach walk in reverse.
As the leaves fall from the trees, the rooks will soon be returning to their nesting area, but at the moment that is occupied by pigeons.
The chalet demolition in Shorefield Country Park continues apace.
Although the morning was drier and brighter than yesterday, strong winds roared across the Solent, bringing waves crashing on the shingle, and bending the ornamental grasses growing beside the steps descending from the cliff top. Sunlight set autumn leaves ablaze and threaded its way through The Needles.
Our winter flowering clematis Cirrhosa is displaying the freckles by which it is known.
I was fortunate to avoid much of the rain this morning. The afternoon was rather wetter. Having recently watched Andrew Graham-Dixon’s BBC4 programme, ‘The Art of Gothic’, I was inspired to read Horace Walpole’s ‘The Castle of Otranto’, described as the first Gothic novel. I read Devendra P. Varma’s introduction to my Folio Society edition this afternoon.
Jackie’s recent sausage casserole has, with the addition of slabs of beef and a little more bacon, has become a mixed grill stew. And delicious it was too, as we dined on it, with roast potatoes and boiled carrots and runner beans, this evening. My choice from the array of desserts was tiramisu. Jackie drank Hoegaarden and I drank Castillo san Lorenzo reserva rioja 2009. Flo just ate her dinner.