The Monk

One of the benefits of our mild Autumn has been that non-hardy plants, like this fuchsia Fuchsia quasarQuasar, are still out in the garden. Normally a delicate pink and lilac on a white ground, this picture was my selection for the third day of my Black and White Flower photograph submissions.
Edward Sherred, landscaper, called this morning with his wife. Every couple of years he had pruned the tops of the variegated hollies in the front garden. Our predecessors had the benefit of free tree surgery and his wife used the branches to make Christmas wreaths. Having enjoyed a similar arrangement at Lindum House I was happy for us to continue the process. He did a good job.
Stinging nettles and sticky williesBlackberry blossomDandelionIt was a dank day for my Hordle Cliff top walk this morning. Stinging nettles and sticky willies were sprouting again in the hedgerows. Blackberries had been conned into producing more blossom, and a brave little dandelion had forced its way up through a driveway’s gravel.Hordle Cliff beach
Birds were silently snuggled up in their nests, and The Needles were shrouded in mist. I met no other creature in an hour’s walk.
‘The Castle of Otranto’ is hailed as the first gothic novel, and Matthew Lewis’s ‘The Monk’ as the ultimate one. This work, which I finished reading today, has all the ingredients. Set in Madrid at the time of the Inquisition, we have a dubious monastery and a doomed convent; we have wild weather and benighted forests; we have superstition and sorcery; we have blind belief and blasphemy; we have saintly heroes and sinful religious; we have cunning and deception; we have a sadistic prioress and a seduced and seducing prior; we have terror and torture; we have ghosts, ghastly dungeons, and damp sepulchral crypts strewn with unburied bodies; and we have rape and murder most foul.
Hammer (‘The House of Horror’) Films would have relished it, but it was a French-Spanish production directed by Dominic Moll that presented the adaptation released in 2011.
It hard to believe that Lewis was barely twenty when he completed this fast-moving and insightful novel that has intrigued readers ever since 1796. My Folio Society edition benefits from an introduction by Devendra P. Varma and is embellished by the wood The Monk Illustrationengravings of George Tute, who must have thought it was Christmas when asked to illustrate a book packed with such dramatic incident. He is certainly up to the task.
This evening we dined on Jackie’s delightful chicken jalfrezi (recipe) and savoury rice (recipe). I finished the chianti.
 

The War Of Canudos

Yesterday evening, after dinner, Jackie attempted to turn off the extractor fan. She pulled the cord. Something snapped inside. To reach it I had to climb up on a chair. Fortunately the glass spice jar I knocked off the top of a tower of shelves didn’t break. I fiddled around and found a screw under a cap. I unscrewed it and removed the casing, to discover a small piece of plastic had sheered and come adrift. This meant I had to release the mechanism manually. At least I stopped the fan, but until we buy and fit another, that is how it will need to be turned on.
This morning, Joe, The Lady Plumber’s ‘lad’ came to remove the now redundant piping from our bathroom. Before that we had bought the fireworks for Saturday from Lidl, posted the redundant TV box to BT, and took in two jackets for cleaning.
I then cleared ten brick lengths of bramble and ivy roots from the back drive.
Jackie was out to lunch with her sisters, but sensible enough to have left me a beef and mustard sandwich Morning gloriesgarnished with tomatoes. Whilst I enjoyed it I also got pleasure from the cluster of sunlit pale blue morning glories shot with pastel pink  that can be seen through the kitchen window.
TWATEOTW040TWATEOTW041This afternoon I finished reading Mario Vargas Llosa’s haunting historical novel: ‘The War of The End of The World’. A Peruvian, the author chose to set his book in Bahia, a North-Eastern state of Brazil, as the nineteenth century was coming to a close. The book was originally published in 1981. My 2012 Folio Society edition uses the 1984 translation by Helen R. Lane. Ben Cain’s illustrations reflect the primitive nature of the story.
A very lengthy tome, it was only the political sections that I had difficulty following, and sometimes found rather boring. We are sensitively shown how the extreme poverty of underprivileged, landless, disabled, and uneducated people of that time and place affected their wretched lives, enough for them to flock to the shelter of a community established by a mystic preacher. Each character is beautifully and touchingly described as the civil War of Canudos progresses to its bitter end. The harshness of the terrain and climate adds to the horrors of thirst, starvation, wounding and destruction, which beset both the settlers and the soldiers sent to drive them out. Transcending all this is the superhuman emotional and physical strength displayed by people ultimately barely alive. The prose, having set the scene at a more leisurely pace, builds naturally, briskly, to a final crescendo. I have to say I was confused by the alternation between present and past in various sections. This was clearly not the fault of the translator, who seems to have done a remarkable job.
Ultimately the state cannot tolerate this enclave hoping to live in peace apart. The title of the book reflects the belief that the world would end at the turn of the next millennium, a myth which perhaps Vargas Llosa is dispelling.
Not knowing much about South American history, this novel had me researching the conflict that took place during 1896 and ’97. I learned that Antônio Vicente Mendes Maciel, an itinerant preacher who had been wandering the less inhabited areas of Brazil for the previous twenty years and had taken the name Antonio Conselheiro (The Counsellor), set up the Canudos_villagecommunity in question in 1893. Bahia was then a desperately poor zone, with a disenfranchised population living on subsistence agriculture. As such it was ripe for his influence, seeking hope from his promise of a better world. After a number of unsuccessful attempts at military suppression, a large Brazilian army force overran the village and killed nearly all the inhabitants.
Daniel’s fish and chip restaurant provided our dinner this evening. My beverage was tea; Jackie’s was coffee.
 
 

The Bhagavad Gita

8.9.14
I found my main gardening task today really tough. Having thought I had taken up all the concrete slabs from the former kitchen garden, I discovered another path of them. They were bounded by bricks. Paving pileAll these have now enhanced the paving pile, leaving me wringing wet. The latest heavy blocks are those that look darkest in the photograph.
After this, I dragged myself to the Shorefield post box and back, then settled down in a chair to read. Interrupted only by a robotic telephone call trying to sell us a new boiler, I finished that Indian classic ‘The Baghavad Gita’. Described by Jackie’s former work colleague as a ‘book on the Soul, Karma, and Reincarnation’ this dramatic piece takes the form of a dialogue between Krishna and the warrior Arjuna, with Sanjaya taking the role of the classical Chorus. Originally written in ancient Sanskrit it is an interlude in the much longer epic, Mahabharata.
Now, I had a choice. I could attempt Jackie’s tome, containing the original text and copious commentary by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, or I could confine myself to my Folio Society edition with a brief introduction by Amit Chaudhuri. I settled for the latter.
Relying on the doctrine of reincarnation, the god attempts to convince the warrior that it is his duty to kill friends and relatives facing him on the battlefield because their spirits will not die and they will have rebirths. The book is, of course, about much more than this, being a guide to the achievement of inner peace. Much of it does make sense to me, but the killing theory seems to be rather too easy a justification. It beats me how that can bring about inner peace.Bhagavad Gita illustrationsBhagavad Gita illustration
The scholarly edition is illustrated by sumptuous realist paintings and photographs, whilst the other is liberally strewn with more imaginative suggestions from the hand of Anna Bhushan. The double spread I have chosen from the first book relates to the doubt of Arjuna and to the reincarnation philosophy. Zooming will make the text clearer.
Pruned roseWhilst I was thus recuperating, Jackie continued her autumn pruning and clearing. Later on, I helped by transporting unwanted foliage to the compost heap and the combustible piles.
Jackie’s delicious chicken curry and savoury rice amply sufficed for our dinner, with which I drank Louis de Camponac cabernet sauvignon 2012. Jackie had already consumed her Hoegaarden when we relaxed in our garden as the sun went down.
Later, I began reading ‘The War of the end of the World’ by Mario Vargas Llosa.

The Scent Bottle

30.8.14
This morning, I continued the task of cleaning and tidying the house, and separating the intruders’ belongings from mine.
My friends in Le Code Bar where I went to post ‘On The Road’, were very supportive. Laurence, even though we had not met for a year, was most warm in hers.
Lauren Nassef illustrationThis afternoon I finished reading Ivan Turgenev’s masterpiece, ‘On The Eve’. In the 1850s, when he worked on the novel, the world was about to change through Russia’s devastating war with the English and European alliance. This is a tragic love story, beautifully, sensitively, and insightfully written. The characters are well drawn, and the prose flows pleasingly. The last chapters in which the ill-fated couple Elena and Insarov spend an evening watching ‘La Traviata’ brilliantly ties up the story, for, like Verdi’s heroine, Insarov is dying of consumption.
My Folio Society edition is elegantly illustrated by Lauren Nassef.
The lowering sun cast a splendid light across the forecourt of Le Code Bar this evening,Le Code Bar RoundaboutLe Code BarDavid and customersFeet in silhouette as Duck and chipsI dined on magret of duck, chips, and salad, with sparkling Pellegrino to drink.
Before that, I had struggled to unblock the wash basin in the bathroom. This involved undoing the pipes underneath, draining off the water, and peering down the plughole which contained a perfectly fitting little round scent bottle. From beneath, I pushed it up and out with the handle of a wooden spoon.
The key to the letterbox on the wall outside has gone missing.

Annie

Raindrops on tomatoesRaindrops on roseThe garden still freshly dripped this morning after a night’s deluge of rain. I was reminded of ‘A few of [Julie Andrews’s] favourite things’, from ‘The Sound of Music’.
GreengagesAfter a wander round the estate, Jackie drove me to New Milton for me to catch the London train. I visited the money bank first, but was still rather early for the train and sat outside the station for a while. Plum-like fruit had dropped from their branches and tumbled down a grassy bank opposite, into the wet gutter. Because I didn’t know what they were, especially as they were a yellow/orange colour, I asked a passing woman who seemed vaguely familiar. She identified them as greengages and walked on into the ticket office. Soon afterwards she, having had the same sense of partial recognition, returned, having realised I was Chris’s brother.
Annie, which is her name, was at school with my sister in law Frances and a joint friend of theirs called Stephanie. Chris, Frances, Stephanie and her husband,John, had once shared a holiday with Jackie and me in Sigoules. We had first met at my niece Fiona’s wedding to Paul in August 2007, at which I had, fortunately for this post’s illustrations, taken the photographs. Jackie and I had both then met them at Chris and Frances’s Ruby Wedding celebration.

Here is Fiona on her big day:Fiona wedding 8.07 005

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

She and Paul here stand with their respective mothers, Frances, of course, next to her daughter:Fiona and Paul with their Mums Fiona & Paul wedding 8.07 010

Finally, Stephanie and Annie, on the right, arrive in the garden:Stephanie & Annie Fiona & Paul wedding 8.07 048

Otherwise, my journey was uneventful until I arrived at Waterloo. At the Gents on the station the change machine let fall into the tray 3 x 20p in exchange for my 50p piece. Either because the dispenser didn’t appear to have any 10p coins or because the barriers themselves were faulty they were left open and we were all invited to walk through at no charge. Soon afterwards, I picked up £5 on the concourse. Normally, in order to use the conveniences, one is relieved of 30 pee. Instead of this, I emerged from the terminal station £5.10p better off. I’d call that a result.

I took my usual route to Norman’s where he fed us on roast pork, roasted vegetables, croquette potatoes, and broad beans, followed by mixed fruit latticed tart. We shared a fine bottle of Douro.

After this, I travelled by my customary method to Carol’s, and from there back to New Milton where Jackie was waiting and drove me home.

Kenneth Clark learned his trade as an art historian long before the subject was taught in British universities like Nottingham, where my granddaughter Emily is currently studying. Clark was an extremely accomplished member of the profession, as is amply evidenced by ‘The Nude’, which I finished reading on the train. He has a sensitive and insightful approach to his material which covers drawings, paintings, and sculpture from antiquity to the early twentieth century. First published in 1956, before the advent of the internet, his encyclopaedic knowledge is impressive, and eloquently and entertainingly expressed. My Folio Society edition, the beautiful cover of which is featured in my post of 24th July, is lavishly illustrated.

Necrotising Fasciitis

La Baigneuse de ValpinconYesterday evening I read Charles Saumarez Smith’s 2010 introduction to The Folio Society’s edition of Kenneth Clark’s 1956 study, ‘The Nude’. Later, I began the book itself. As is my wont, I will comment on the work when I have finished reading it, but here I reproduce the binding illustration. Both the back and front boards are illuminated with Jean-Auguste-Dominique Ingres’ magnificent 1808 oil painting, La Baigneuse de Valpincon.
This morning Jackie and I jointly undertook some more seriously scary pruning at the far end of the path by the empty house. Sports had to be removed from a euphorbia; yet another bay tree and mature suckers from an as yet unidentified  shrub had to be brought to earth; and a pyracantha and viburnum much reduced. Finally, we removed some dead sections from the snake bark maple. The log pile for winter burning on the stove increases by the day.
Against the window wall of what is now our utility room, an adjunct to the library, a mature wisteria had been cut right down to a stump, presumably in order to facilitate the insertion of the bathroom of the master suite. WisteriaHealthy new shoots have been burgeoning all summer. The first blooms have now arrived.
Early this evening, our friends Heather and Brian came for a visit and to collect books to be sold at a Charity Fun Day at Billericay Rugby Club on 3rd August, from 10 a.m. to 4 p.m. This is in aid of the Lee Spark Foundation which engages in research and disseminating information about Necrotising Fasciitis. Commonly termed the flesh eating disease, this is a condition caused by bacteria which can rapidly strip the affected areas of flesh of a human being to the bone within a couple of days, and is quite commonly fatal. Lee Spark was 19 when he died of the disease. Here is an extract on the event from Heather’s Facebook page: 10501898_10152612097232975_5661296236139084066_n

”held to support The Lee Spark NF Foundationhttp://nfsuk.org.uk/ who help with research and raise awareness of Necrotising Fasciitis known as the flesh eating bug. Their mission is to educate and inform health professionals and individuals how severe streptococcal infections may develop into necrotising fasciitis. To help them recognise the early warning signs and symptoms and to generate continued support for research into the prevention of NF.If you know me you know I went through hell for 2 years nearly losing my life and a leg to this debilitating life changing horror.
So many people suffer much worse than me and so many people lose their lives to this horrendous infection. I’m one of the lucky ones.
Should be a great day loads to do, plus craft stalls, music etc. Ill be there with a second hand book and DVD stall. Please come and support us. If you can’t support please consider a donation.”

Having loaded our visitors’ car with several boxes of books, we all four went on to dine at The Jarna where we enjoyed the usual excellent fare, and, for Jackie and me, Cobra beer. A very pleasant evening was continued at our home.

Twice Assassinated

9th July 2014
Yesterday evening I read Cicero’s oration ‘Pro Murena’ (For Murena). This was a speech in defence of Lucius Murena, accused of having, in BC63, gained election as consul by bribery. It was the custom of losing candidates, in the hope of supplanting the winners, to prosecute those rivals after the event. Of the two elected consuls, Sulpicius, the plaintiff, actually a good friend of the great orator, picked on Murena. Following Cicero’s successful plea, the accuser had to wait another twelve years to hold office.
Delivered cogently, with both humour and seriousness, this piece reads as freshly and fluently as if it had been written today. Also focussing on the interests of national security, Cicero paces his argument well and stakes his own reputation on his closing commendation.
The next in The Folio Society’s selection of Cicero’s Orations, which I went on to read, is ‘Pro Caelio’ (For Caelius). Possibly because the jurors, on account of the nature of the case, had been forced to forgo a public holiday, the advocate set out to entertain them. The fury of a woman scorned, it was Cicero’s contention, was behind the charges laid against his client. He stated that they had been brought ‘to gratify the whim of a licentious woman’, Caelius’s ex-lover. It seems to have been the practice in Roman courts to deprecate the characters of the protagonists. Cicero therefore defends his client’s reputation, and slays that of Clodia, the lady in question, saying very little about the actual charges of violence he was meant to refute. This is skilfully done, often indirectly, and with innuendo. He makes the woman out to have led the young man astray. The tone is light-hearted, with free use of irony, wit, and satire. It did the trick.
Gangs roamed the streets of ancient Rome at the behest of wealthy men. Two of these were Milo, and Clodius whom Cicero hated. In ‘Pro Milano’.which I read this morning, the author defended Milo, charged with Clodius’s murder. This is how it came about: From other, independent sources, it is clear that the two gangs mat by accident on the Appian Way. They fought. Clodius seems to have been victorious, but was soon afterwards murdered by his enemy, and dumped in the street. There was speculation in the city that one had laid a trap for the other. Cicero’s false case rested on Clodius having set the snare, and Milo simply defending himself. This time the jurors did not buy it. Despite a brilliant speech, full of the orator’s customary eloquent techniques, they found the defendant guilty. Clodius was twice assassinated. Once in reality by Milo, and later, figuratively, in court, by Cicero.
Mouths were agape in Le Code Bar this lunchtime, not poised over plates, but trained on the TV. It was not the flavoursome noodle soup; the crisp calamari in batter; the succulent pork kebabs, rice, and ratatouille; nor the gorgeous creme brûlée; but the aftermath of Brazil’s defeat by Germany, 7-1, in the World Cup semi-final, that grasped their attention.
This afternoon Saufiene drove me to Eymet and beyond in search of a charger for my HP laptop. Despite helpful assistants opening up various boxes we shared defeat with both Brazil and Cicero.Sunset
As I watched the Sigoules sunset, I reflected on my friends Majid in London, and Saufiene in Acquitaine, both observing Ramadan, and now able to break their fast.

Latin Gave Me Up

Although not having got round its baffle, the crow is back trampling the petunias on the chimney pot. The squirrel, on the other hand, earned a meal this morning. It made a successful launch from the eucalyptus, crash landed on top of the corvine baffle, slipped underneath it, and scoffed away. Given that the rodent has now rivalled Eddie the Eagle, Jackie moved the feeder further from the tree. The next lift-off point will doubtless be the new arch. Google can supply further information both on our aforementioned Olympic skier and yesterday’s Greg Rutherford reference.
We returned, briefly, to Castle Malwood Lodge this morning to retrieve two garden recliners we had left behind; and for a chat with Mo. Jackie then drove us to Ringwood where I deposited two pairs of shoes for repair; back home for lunch; then on to New Milton for me to catch the London train to visit Carol.
The corner around our old flat is well stocked with self-seeded blooms from Jackie’s temporary garden; and

the little meadow alongside New Milton station has an abundance of wild flowers.


Today I finished reading Cicero’s ‘Pro Roscio Amerino’ (For Roscius of Ameria). This is an eloquent and subtle defence of a man facing a trumped-up charge of parricide, and is significant for its being the young advocate’s first speech in a criminal court, and for his courage in taking on powerful political elements. No doubt aided by D.H.Berry’s able translation, the writing flows, and is very readable and entertaining.
It is to be inferred from my last sentence that I did not read this in the original, which would have been far beyond me. I am no Latin scholar, as was proven by my first three years at Wimbledon College. My Grammar school was then notable for its emphasis on the classics. Keen to obtain as many OxBridge university places as possible, Latin and Greek were the school’s most valued subjects, for in those 1950s days, a Latin qualification was a requirement for entry into our two leading centres of learning.
I was never subjected to Greek, and my Latin was so abysmal that, long before the O level stage, I was transferred to Geography, not then considered of prime importance.
Being top of the class in French, it was always a mystery to me that I could not grasp Latin. At school, I thought maybe it was because it seemed to be all about wars that didn’t particularly interest me. Not very many years ago, I twigged the reason for the imbalance. It was partially about word order, but more significantly about ignorance of grammatical terms. Without understanding these, I could manage the modern language, not that dissimilar in construction to our own. Meeting concepts like ‘subjunctive’ which were not considered needing explanation for passers of the eleven plus exam, I didn’t just swim, I sank.
Latin gave me up. And Geography teaching was hit and miss, so I failed that too.
So. In English. I went on to read ‘In Verrem 1’ (Against Verres). This was a necessarily short piece used as a device to circumvent the delaying tactics of the defence of a patently guilty man. It was so successful that Verres withdrew and further prepared speeches were not required.
Each of the Orations in my Folio Society edition is preceded by a helpful introduction by the translator. I began Berry’s piece on ‘The Catilinarian Conspiracy’.

From Waterloo I walked across Westminster Bridge to Carol’s in Rochester Row. I have seen this route even more crowded than today, but it was still a struggle to reach and walk across the bridge and past the Houses of Parliament and Westminster Abbey.

At the junction of Great Smith Street and Victoria Street a woman struggled with a chain of keys that would have done credit to Dickens’s Jacob Marley from ‘A Christmas Carol’, to free her bicycle from its fixture on a set of railings. Having succeeded, she dropped the cluster on the pavement and loaded her steed. Given her apparel and the content of her baskets, I wondered how she would manage to ride off. She didn’t. She donned her furry hat over the straw one, pushed the bike across the road, and continued down the street.
I took the 507 bus from Carol’s back to Waterloo and boarded the train to New Milton where my chauffeuse was waiting to drive me home; show me her planting and tidying of the garden; and feed me on fresh vegetables with beef casserole, the method of cooking of which is given in yesterday’s post. She drank Hoegaarden, and I abstained.

The Chicks Have Hatched

One of the consequences of moving house is the need to wonder where to put things. This is very helpful in encouraging one to complete unfinished organisational tasks begun years ago. In about 2008/9, when living in Sutherland Place, I discovered that some of my books and slide boxes had been damaged by damp. The colour slides themselves were sound, but the boxes were on the wet side, so new containers were essential. I bought some, and decanted the positive films from the worst of the moistened ones. Although I had enough new receptacles to take the contents of the last, least damaged, box, I didn’t finish the task until yesterday. All in the interests of reducing by one the number of containers needing a home.
This led me, this morning, to resuscitating the ‘posterity’ series. My first photo-shoot of Jackie was made on Wimbledon Common in April 1966.

Here is one of the pictures, with the War Memorial in the background top left.
Before this I walked the whole length of Shorefield Road and Sea Breeze Road, taking in the vast acreage of the Country Park. The high-pitched screeching of the gulls over the stubble field on

Downton Lane gave way to the deafening racket of the rookery, at times indistinguishable from that of a reversing Highway Maintenance vehicle.

The lofty nests of the frenetically active rooks are now apparenty occupied by ravenous chicks. The parents flap to and fro keeping their offspring from starving. Each rounded cluster of sticks is guarded by one adult whilst its mate energetically forages.

At the far end of the Sea Breeze section of the park, where building continues unabated, is a meandering stream-crossed woodland walk leading to Studland Common Nature Reserve. Although partly gravelled, the paths tend towards the muddy. 

The ear tags of cattle grazing in Studland Meadow reflected the gorse around them.

On my return I met and conversed with two separate dog-walkers. I was quite relieved that the West Highland terrier poised for attack was on the end of a lead, and had probably already had his breakfast.

This afternoon, as promised, our chests of drawers were delivered by Fergusson’s House Clearance.

Before dinner I finished reading Nathaniel Hawthorne’s novel ‘The House of the Seven Gables’, in the Folio Society edition illustrated by Francis Mosley. First published in 1851 this is an intriguing story rich in characterisation. The author’s skill in story-telling surmounts the wordiness of some of his language commensurate with his time of writing. The reader’s interest is maintained throughout. There is a touch of mystery about both the house and the writer’s tale, and he ties it all up tidily in the end.

Mosley is a versatile illustrator who remains one of my favourite Folio Society artists.

Our evening meal was roast lamb in tasty gravy, served with crisp vegetables. I drank Cimarosa Chilean merlot from 2013.

All Part Of The Process

Princess Ida programme 3.14The annual O’Connell/Rivett family attendance at the Godalming Operatic Society’s Leatherhead Theatre production of a work by Gilbert & Sullivan directed by Pat O’Connell follows a carefully choreographed process. Taking advantage of the close proximity of each point in the proceedings, arriving in very good time to dine before the performance, we all stay at the Travel Lodge hotel in the town, walk around the corner to dine at an Italian restaurant, and across the road to the theatre. Afterwards we enjoy a drink in the company of the cast, spend the night at the staging post, and breakfast at Annie’s cafe before making our ways home.
The outing was yesterday. The operetta Princess Ida.
All part of the process is that Helen and Bill will have parked in the more expensive car park a bit further away. Ron will then offer to go and collect their car and move it to the one that is free after 6 p.m. and over the weekend, about 100 yards away. He will do this just in time for us to take possession of our seats before the prompt start of the overture.
There is one popular restaurant near enough and willing to feed the entire cast and guests in good time to facilitate the promptness. This year, having changed ownership, it was undergoing refurbishment. It was not yet officially open, but the new proprietor offered to provide a restricted menu for us all, provided we placed our orders in advance. We did so. The orders were placed in a relay of mobile phones. This meant that there was some confusion about my pizza, but this was rectified with good humour. I am not sure what the original name of this establishment was. It is now Rialto, and is to be recommended. There were no complaints about the previous one, but all were agreed that this reincarnation is a general improvement. If they live up to their first night, they should do well.
Rialto meals
There was, however, one part of the process that was maintained by the new staff. Traditionally, one of our group goes without something until the waiting staff are eventually alerted to its absence. It may be an entire meal, a drink, or simply a glass with which to imbibe a share of a bottle of wine. Until now, Shelly has been the victim of all these omissions.Pizza Perhaps it served me right for speculating about what she would miss out on last night, for it was I who went without my pizza. Drinking my share of the house red wine, I watched the others enjoying their various dishes accompanied by red or white wine. Eventually I got my own back, and they all watched me consume mine, which was excellent.
The Leatherhead Theatre is an excellent venue. This morning, during a wander around the town, I noticed it was occupied by a group engaged in a religious service of some denomination, so it is perhaps as versatile as the Regent Centre at Christchurch. I also noticed a plaque on the wall, part of the information provided by Leatherhead Heritage Trail, giving a history of the building:Thorndyke Theatre
The theatre was very full, as warranted by the usual accomplished performance. Familiar faces included Simon Cakebread, bravely surmounting a chest infection, as King Gama; Richard Arthur as King Hildebrand; and Richard Hales as Hilarion. The Society is fortunate in having a leading lady lady, Jen Sanders, who, being tall and elegant, has a beautiful and powerful voice belied by the slenderness of her frame. Many of the actors and singers have most expressive faces, bodies, and hands, none more so than the entertaining Nora Price who, this time, played Lady Blanche. I found myself transfixed by her hands in particular.
The costumes were splendid and the choreography faultless. Pat explained to us later that one joke that brought the house down had been created at the last minute by members of the orchestra. When Ida claimed to be able to play a number of instruments at once, these players rose from the pit and offered her their various pieces.
Early this morning I finished reading The Folio Society’s edition of ‘Good Behaviour’ by Molly Keane. This is a clever. well-written novel, surprisingly first published in 1981. My surprise is that it skilfully describes a past privileged age, depicting mostly unlikeable characters. On the other hand we do like our period television dramas such as ‘Downton Abbey’. Jane Gardam, in her introduction, tells us that the books was originally turned down by two publishers as being ‘too dark’.
Good Behaviour cover 3.14I can see those publishers’ point of view, although the darkness that strikes me is perhaps a different one than theirs. I find the heartrending despair of the naive yet nevertheless spirited narrator Aroon rather less than amusing. Debra McFarlane’s exquisite illustrations, one of which decorates the boards of the cover, perfectly depict the young lady. The family culture of denial is stifling. However, I have to admit that the writing sparkles with wit and the characters are only too credible.
After this, still too early to meet the others for breakfast, I walked around the small Surrey town, spotting another Heritage plaque, this time giving us the tale of a former post office the demise of which must have been repeated throughout the land:Former Post Office                                                                                    Penny BlackA possibly less imaginative title is borne by The Old Post Office public house in Newark.
Breakfast at Annie’s continued two parts of the process. The first was the encounter with Michael, a regular customer there. This is a very homely little place with just a few small tables. It offers wholesome food, and every Sabbath some of the residents of an establishment for people who are at least partially sighted attend for their Sunday roast dinner. One of these is the septuagenarian Michael. He is so politely gregarious and able to communicate with the use of his other senses, that the first time we met him we had not realised he was unable to see us. Today, Jackie and I arrived before our companions, so we had Michael to ourselves. We come but once a year, yet he does seem to remember us.
Breakfast at Annie'sThe next part was not usually attached to Annie’s. Perhaps it was because there were eight of us, two more than usual, that two of us went short of a meal for a while. Shelly distracted herself with the ‘i’ crossword, and I entertained myself by watching the others scoffing. I won the race to be served by a short head.
Back home in Hampshire Helen and Bill will collect us this evening for a visit to Totton’s Fuchi restaurant, to complete a pleasant weekend. I will report on that tomorrow.