The Folio Society – Page 11

The Good Soldier

CLICK ON IMAGES TO ENLARGE.

Today I finished reading

This frontispiece contains one of Philip Bannister’s excellent illustrations.

Although the term was not universally adopted until 1925, the Art Deco period had already begun in France by 1915, when Ford’s novel was first published. This, I imagine, is what inspired Bannister’s front cover design.

The author begins with ‘This is the saddest story I have ever heard’, but do not despair, the book is a perfectly constructed work demonstrating profoundly insightful characterisation, well-observed description and good story-telling written in flowing prose.

I will not reveal the story save to say that as a “tale of passion” it is of the suppressed kind, and is related by a close observer of humanity who has not, himself, experienced the “magnetism and passions” of such “splendid and tumultuous creatures” as the ill-fated protagonists of “the Ashburnum tragedy”. Dowell, the narrator, is convinced that in a world stifled by “conventions and traditions”, only the “normal” survive, and no-one, even they, gets what they want in life.

I found myself wishing that Henry James, an earlier American-born writer with an equally psychological bent, who died the year after this book’s publication, could have written rather less densely, and as apparently freely as Ford.

Julian Barnes has provided an interesting introduction to my Folio Society edition.

Here are a couple more of the illustrations.

This evening we dined at The Hare & Hounds in Sway. Jackie’s starter was prawn cocktail,

mine was whitebait in beer batter, served with brown bread and butter and salad.

We both enjoyed fish and chips as a main course,

and neither of us could manage a dessert. Jackie drank Amstel, and I drank Ringwood’s best.

A Shropshire Lad

Last year’s Folio Society edition of ‘A Shropshire Lad’ by A. E. Housman contains Agnes Miller Parker’s 1940 wood engravings to this timeless set of poems. Much as I admire this superb artist’s work, I already possessed the Society’s 1986 edition illustrated in a more modern vein, so, I was not tempted to buy it. Well, not greatly. It is the latter version I finished reading today.

Here is the book jacket to another of my treasures, illustrated by the great engraver:

This is how The Folio Society publicise their latest edition:

“Beloved by both scholars and general readers, A Shropshire Lad was self-published in 1896 and has been continuously in print ever since. Housman, who was also the greatest classical scholar of his age, wrote the cycle of 63 poems after the death of his friend Adalbert Jackson. Among his themes are the transience of youth, the sorrow of death, the loss of friendship and the beauty of the English countryside. The poems’ depiction of young, brave soldiers made them widely popular during and after the Boer War and the First World War. They also captured the imagination of many composers, with George Butterworth, Ralph Vaughan Williams and Samuel Barber among those to set them to music.

Housman evokes a semi-imaginary pastoral landscape, his tone often rueful and elegiac as he evokes the ‘golden’ years of youth and the realm of classical myth. But it is perhaps for the directness and poignancy of his language that the poems have endured. On the vagaries of feeling and the fragility of human kinship, he is at once emotional and unsentimental, lyrical and frank.”

I enjoyed the poems and would concur with the above blurb.

Patrick Procktor’s illustrations suitably complement the text.

Here is the frontispiece;

and here the design for the endpapers.

For many years now, Folio Society publications have come in stiff cardboard slipcases. These are mostly unembellished. This one, however, has this portrait on the back:

Does it represent Adalbert Jackson?

This evening we dined on Jackie’s perfect pork paprika, savoury rice, and green beans, followed by lemon and lime merengue tart. The Cook drank Hoegaarden and I drank more of the malbec.

P.S. I am indebted to Judith Munns for the information and Barrie Haynes for the photograph of this statue of Housman that stands in Bromsgrove, where Judith once lived:

The Earth

My return journey today from Nottingham was uneventful. Louisa drove me to Nottingham Station and Jackie collected me at New Milton.

I have quoted Heraclitus’s observation that ‘all is flux, nothing stays still’, in an earlier post. There is no greater example of this than the planet on which we live, which, as Richard Fortey, so eloquently describes in his ‘Earth An Intimate History’ which I finished reading this evening. I had plenty of time on trains in the last couple of days to make considerable headway in this book which I began reading a short while ago.

The author is clearly a considerable geologist with a gift for explaining his science in a method intelligible to the layperson. His intention is to pass on his study of tectonic plates. I do not pretend that I will be able to remember what I have learned from this book, but I did find most of it understandable. His grasp of historical and prehistorical context makes it clear that human beings have come and gone in a minuscule fraction of the life of the earth. And my memory span will pale into insignificance in comparison to the lifetime of humanity.

Fortey explains how subterranean influences determine what happens both above and below sea level. He claims that ‘the face of the earth has its character scoured upon it by the elements, but they can only work on what has been set upon the surface by forces operating in the hidden depths. He has a gift for description, and uses plentiful simile such as ‘the chances of picking up a good rock sample [ with a simple dredge ] are about the same as catching a fish with a pair of tweezers at the end of a long pole’.

Beginning with volcanoes, the writer uses different well known phenomena to illustrate the various geological conditions and effects that he covers. Finally he covers the oceans and continents as a cohesive whole.

He begins with Vesuvius and the Bay of Naples, and rounds it off neatly by finishing his summarising world tour at the same place.

A final quotation from T.S. Eliot’s ‘Little Gidding’ reinforces the point:

‘We shall not cease from exploration/ And the end of all our exploring/ Will be to arrive where we started/ And know the place for the first time.’

These illustrations are taken from my Folio Society edition of 2011, the first, of The John Day Fossils Beds National Monument, Oregon, USA, being repeated on the cover boards.

This evening Jackie and I dined on Mr Pink’s fish and chips and pea fritters, with pickled onions and gherkins. Jackie drank Hoegaarden, and I drank Doom Bar.

The Periodic Table

I began the day as a traffic director. There had very recently been an accident along the A337 further along the road to Lymington. I wandered out to see what was causing the tailback past our house, and the number of vehicles turning round and going back the way they had come. Very soon drivers, one after the other, were asking me questions such as ‘How can I get out of this?’. Especially those booked onto the ferry desperately needing an alternative route. I surprised myself by realising that I knew one. One woman carried a tray of home-made jam tarts on her passenger seat. They looked rather inviting.

Soon a recovery vehicle appeared with one damaged car on board, and all reverted to normal. We have always wondered why there are not more accidents on this winding road on which many people drive far too fast.

Afterwards I dug out a wide trench, and lined it with a weed suppressant membrane and sand, for the brick platform for the bench purchased yesterday. Rain set in at lunchtime so I had to stop. Later, during a brief lull, I placed the bricks. Further rain delayed trimming the edges of the membrane.

Elizabeth’s unidentified rose is now in bloom. It is coral pink, and has a good scent.

Cryptic crossword setters are a devious breed. One of the devices used for clueing is the use of abbreviations. During my Mordred decades, Chambers XWD, a Dictionary of Crossword Abbreviations, is one of the books I co-wrote with Michael Kindred. I won’t bore readers with an explanation of how and why we adopted a two way approach, but during the the process we had recourse to a list of chemical elements, where we could check that the abbreviation for potassium is K, not P as one might think.

The Periodic Table is a list of chemical elements arranged in order of their atomic number. Major dictionaries present a supplement of these in alphabetical order according to their abbreviations Silver, being abbreviated as Ag, is therefore second on a dictionary list, even though its atomic number is 47. That exhausts my knowledge of the scientist’s Periodic Table which I wouldn’t have the first idea how to apply.

Silver is one of the chapter headings to Primo Levi’s autobiographical work, The Periodic Table which I finished reading today. The chapters are not numbered. Each one bears the title of a chemical element. In the last, Carbon, the author states that his book is neither a chemical treatise nor an autobiography, but ‘in some fashion a history’. Most are interesting autobiographical stories featuring a particular element and following a chronological sequence. A couple, in italics in my Folio Society edition, concern other individuals from long ago.

The book is well written and holds the interest of this reader who has no interest in chemistry. I was able to understand Levi’s explanations until that final chapter where he rather lost me. I was struck by the humanity the writer showed in the Vanadium chapter towards a German scientist who he had met in Auschwitz.

My copy is translated by Raymond Rosenthal, introduced by Ian Thompson, and imaginatively illustrated by Mark Smith.

This evening we dined on Jackie’s succulent sausage casserole and new potatoes, followed by fruit salad, strawberries, and Swiss roll. The Cook drank Hoegaarden, and I drank Marques de Carano gran reserva 2008.

Father Brown

I’m not feeling any better today. This is a little frustrating because yesterday I had been able to think, which hadn’t been possible the day before, so I hoped to be running around again by now. I always was an optimist. Crystal, another blogger, had commented on how difficult it is to be patient with illness. I imagine that is what she meant.

Jackie, however, improves by the day.

From the amount of coughing I have been engaged in, my stomach now feels as if I have done a few hundred sit-ups. This is not so fanciful when you consider that in my thirties I had a period of performing more than three hundred every morning, until I decided that eleven minutes was a bit too long and boring to spend on this rather excessive exercise.

My Folio Society edition of G.K.Chesterton’s Father Brown Stories consists of two volumes, each comprising two of the four books. Yesterday evening I finished the first book, called ‘The Innocence of Father Brown’, and containing a dozen superbly crafted short stories, in elegant, flowing, prose. The fact that the eponymous amateur sleuth is a Roman Catholic priest is really incidental. He is an entertaining little character.

Colin Dexter, the author of the Inspector Morse series of novels, has written an interesting and knowledgeable introduction, and Val Biro’s skillful illustrations enhance the 1996 publication.

Unfortunately my book now has some minor water staining on its front cover. I must have unwittingly spilt some from my bedside glass in the dark when I was rather dopey.

I have mentioned before that I was encouraged to read these books by watching the TV series. This is described as based on Chesterton’s characters. The only story I have now both read and watched, ‘The Invisible Man’, has developed some of the characters and radically changed the tale. Perhaps that is the only way the author’s little gems can be transferred to an hour long dramatic production.

The text illustration I have chosen to insert here is one to ‘The Invisible Man’. I won’t say how, but it ably demonstrates the point I make above.

This evening, for the first time for some days, Jackie felt able to drive out for a Chinese Takeaway meal, and I thought I could manage to sample some of it. In the event I couldn’t eat much, but there is always tomorrow.

The Monk

One of the benefits of our mild Autumn has been that non-hardy plants, like this fuchsia Quasar, are still out in the garden. Normally a delicate pink and lilac on a white ground, this picture was my selection for the third day of my Black and White Flower photograph submissions.
Edward Sherred, landscaper, called this morning with his wife. Every couple of years he had pruned the tops of the variegated hollies in the front garden. Our predecessors had the benefit of free tree surgery and his wife used the branches to make Christmas wreaths. Having enjoyed a similar arrangement at Lindum House I was happy for us to continue the process. He did a good job.
It was a dank day for my Hordle Cliff top walk this morning. Stinging nettles and sticky willies were sprouting again in the hedgerows. Blackberries had been conned into producing more blossom, and a brave little dandelion had forced its way up through a driveway’s gravel.
Birds were silently snuggled up in their nests, and The Needles were shrouded in mist. I met no other creature in an hour’s walk.
‘The Castle of Otranto’ is hailed as the first gothic novel, and Matthew Lewis’s ‘The Monk’ as the ultimate one. This work, which I finished reading today, has all the ingredients. Set in Madrid at the time of the Inquisition, we have a dubious monastery and a doomed convent; we have wild weather and benighted forests; we have superstition and sorcery; we have blind belief and blasphemy; we have saintly heroes and sinful religious; we have cunning and deception; we have a sadistic prioress and a seduced and seducing prior; we have terror and torture; we have ghosts, ghastly dungeons, and damp sepulchral crypts strewn with unburied bodies; and we have rape and murder most foul.
Hammer (‘The House of Horror’) Films would have relished it, but it was a French-Spanish production directed by Dominic Moll that presented the adaptation released in 2011.
It hard to believe that Lewis was barely twenty when he completed this fast-moving and insightful novel that has intrigued readers ever since 1796. My Folio Society edition benefits from an introduction by Devendra P. Varma and is embellished by the wood engravings of George Tute, who must have thought it was Christmas when asked to illustrate a book packed with such dramatic incident. He is certainly up to the task.
This evening we dined on Jackie’s delightful chicken jalfrezi (recipe) and savoury rice (recipe). I finished the chianti.

The War Of Canudos

Yesterday evening, after dinner, Jackie attempted to turn off the extractor fan. She pulled the cord. Something snapped inside. To reach it I had to climb up on a chair. Fortunately the glass spice jar I knocked off the top of a tower of shelves didn’t break. I fiddled around and found a screw under a cap. I unscrewed it and removed the casing, to discover a small piece of plastic had sheered and come adrift. This meant I had to release the mechanism manually. At least I stopped the fan, but until we buy and fit another, that is how it will need to be turned on.
This morning, Joe, The Lady Plumber’s ‘lad’ came to remove the now redundant piping from our bathroom. Before that we had bought the fireworks for Saturday from Lidl, posted the redundant TV box to BT, and took in two jackets for cleaning.
I then cleared ten brick lengths of bramble and ivy roots from the back drive.
Jackie was out to lunch with her sisters, but sensible enough to have left me a beef and mustard sandwich garnished with tomatoes. Whilst I enjoyed it I also got pleasure from the cluster of sunlit pale blue morning glories shot with pastel pink that can be seen through the kitchen window.
This afternoon I finished reading Mario Vargas Llosa’s haunting historical novel: ‘The War of The End of The World’. A Peruvian, the author chose to set his book in Bahia, a North-Eastern state of Brazil, as the nineteenth century was coming to a close. The book was originally published in 1981. My 2012 Folio Society edition uses the 1984 translation by Helen R. Lane. Ben Cain’s illustrations reflect the primitive nature of the story.
A very lengthy tome, it was only the political sections that I had difficulty following, and sometimes found rather boring. We are sensitively shown how the extreme poverty of underprivileged, landless, disabled, and uneducated people of that time and place affected their wretched lives, enough for them to flock to the shelter of a community established by a mystic preacher. Each character is beautifully and touchingly described as the civil War of Canudos progresses to its bitter end. The harshness of the terrain and climate adds to the horrors of thirst, starvation, wounding and destruction, which beset both the settlers and the soldiers sent to drive them out. Transcending all this is the superhuman emotional and physical strength displayed by people ultimately barely alive. The prose, having set the scene at a more leisurely pace, builds naturally, briskly, to a final crescendo. I have to say I was confused by the alternation between present and past in various sections. This was clearly not the fault of the translator, who seems to have done a remarkable job.
Ultimately the state cannot tolerate this enclave hoping to live in peace apart. The title of the book reflects the belief that the world would end at the turn of the next millennium, a myth which perhaps Vargas Llosa is dispelling.
Not knowing much about South American history, this novel had me researching the conflict that took place during 1896 and ’97. I learned that Antônio Vicente Mendes Maciel, an itinerant preacher who had been wandering the less inhabited areas of Brazil for the previous twenty years and had taken the name Antonio Conselheiro (The Counsellor), set up the community in question in 1893. Bahia was then a desperately poor zone, with a disenfranchised population living on subsistence agriculture. As such it was ripe for his influence, seeking hope from his promise of a better world. After a number of unsuccessful attempts at military suppression, a large Brazilian army force overran the village and killed nearly all the inhabitants.
Daniel’s fish and chip restaurant provided our dinner this evening. My beverage was tea; Jackie’s was coffee.

The Bhagavad Gita

8.9.14
I found my main gardening task today really tough. Having thought I had taken up all the concrete slabs from the former kitchen garden, I discovered another path of them. They were bounded by bricks. All these have now enhanced the paving pile, leaving me wringing wet. The latest heavy blocks are those that look darkest in the photograph.
After this, I dragged myself to the Shorefield post box and back, then settled down in a chair to read. Interrupted only by a robotic telephone call trying to sell us a new boiler, I finished that Indian classic ‘The Baghavad Gita’. Described by Jackie’s former work colleague as a ‘book on the Soul, Karma, and Reincarnation’ this dramatic piece takes the form of a dialogue between Krishna and the warrior Arjuna, with Sanjaya taking the role of the classical Chorus. Originally written in ancient Sanskrit it is an interlude in the much longer epic, Mahabharata.
Now, I had a choice. I could attempt Jackie’s tome, containing the original text and copious commentary by His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, or I could confine myself to my Folio Society edition with a brief introduction by Amit Chaudhuri. I settled for the latter.
Relying on the doctrine of reincarnation, the god attempts to convince the warrior that it is his duty to kill friends and relatives facing him on the battlefield because their spirits will not die and they will have rebirths. The book is, of course, about much more than this, being a guide to the achievement of inner peace. Much of it does make sense to me, but the killing theory seems to be rather too easy a justification. It beats me how that can bring about inner peace.
The scholarly edition is illustrated by sumptuous realist paintings and photographs, whilst the other is liberally strewn with more imaginative suggestions from the hand of Anna Bhushan. The double spread I have chosen from the first book relates to the doubt of Arjuna and to the reincarnation philosophy. Zooming will make the text clearer.
Whilst I was thus recuperating, Jackie continued her autumn pruning and clearing. Later on, I helped by transporting unwanted foliage to the compost heap and the combustible piles.
Jackie’s delicious chicken curry and savoury rice amply sufficed for our dinner, with which I drank Louis de Camponac cabernet sauvignon 2012. Jackie had already consumed her Hoegaarden when we relaxed in our garden as the sun went down.
Later, I began reading ‘The War of the end of the World’ by Mario Vargas Llosa.

The Scent Bottle

30.8.14
This morning, I continued the task of cleaning and tidying the house, and separating the intruders’ belongings from mine.
My friends in Le Code Bar where I went to post ‘On The Road’, were very supportive. Laurence, even though we had not met for a year, was most warm in hers.
This afternoon I finished reading Ivan Turgenev’s masterpiece, ‘On The Eve’. In the 1850s, when he worked on the novel, the world was about to change through Russia’s devastating war with the English and European alliance. This is a tragic love story, beautifully, sensitively, and insightfully written. The characters are well drawn, and the prose flows pleasingly. The last chapters in which the ill-fated couple Elena and Insarov spend an evening watching ‘La Traviata’ brilliantly ties up the story, for, like Verdi’s heroine, Insarov is dying of consumption.
My Folio Society edition is elegantly illustrated by Lauren Nassef.
The lowering sun cast a splendid light across the forecourt of Le Code Bar this evening, as I dined on magret of duck, chips, and salad, with sparkling Pellegrino to drink.
Before that, I had struggled to unblock the wash basin in the bathroom. This involved undoing the pipes underneath, draining off the water, and peering down the plughole which contained a perfectly fitting little round scent bottle. From beneath, I pushed it up and out with the handle of a wooden spoon.
The key to the letterbox on the wall outside has gone missing.

Annie

The garden still freshly dripped this morning after a night’s deluge of rain. I was reminded of ‘A few of [Julie Andrews’s] favourite things’, from ‘The Sound of Music’.
After a wander round the estate, Jackie drove me to New Milton for me to catch the London train. I visited the money bank first, but was still rather early for the train and sat outside the station for a while. Plum-like fruit had dropped from their branches and tumbled down a grassy bank opposite, into the wet gutter. Because I didn’t know what they were, especially as they were a yellow/orange colour, I asked a passing woman who seemed vaguely familiar. She identified them as greengages and walked on into the ticket office. Soon afterwards she, having had the same sense of partial recognition, returned, having realised I was Chris’s brother.
Annie, which is her name, was at school with my sister in law Frances and a joint friend of theirs called Stephanie. Chris, Frances, Stephanie and her husband,John, had once shared a holiday with Jackie and me in Sigoules. We had first met at my niece Fiona’s wedding to Paul in August 2007, at which I had, fortunately for this post’s illustrations, taken the photographs. Jackie and I had both then met them at Chris and Frances’s Ruby Wedding celebration.

Here is Fiona on her big day:

She and Paul here stand with their respective mothers, Frances, of course, next to her daughter:

Finally, Stephanie and Annie, on the right, arrive in the garden:

Otherwise, my journey was uneventful until I arrived at Waterloo. At the Gents on the station the change machine let fall into the tray 3 x 20p in exchange for my 50p piece. Either because the dispenser didn’t appear to have any 10p coins or because the barriers themselves were faulty they were left open and we were all invited to walk through at no charge. Soon afterwards, I picked up £5 on the concourse. Normally, in order to use the conveniences, one is relieved of 30 pee. Instead of this, I emerged from the terminal station £5.10p better off. I’d call that a result.

I took my usual route to Norman’s where he fed us on roast pork, roasted vegetables, croquette potatoes, and broad beans, followed by mixed fruit latticed tart. We shared a fine bottle of Douro.

After this, I travelled by my customary method to Carol’s, and from there back to New Milton where Jackie was waiting and drove me home.

Kenneth Clark learned his trade as an art historian long before the subject was taught in British universities like Nottingham, where my granddaughter Emily is currently studying. Clark was an extremely accomplished member of the profession, as is amply evidenced by ‘The Nude’, which I finished reading on the train. He has a sensitive and insightful approach to his material which covers drawings, paintings, and sculpture from antiquity to the early twentieth century. First published in 1956, before the advent of the internet, his encyclopaedic knowledge is impressive, and eloquently and entertainingly expressed. My Folio Society edition, the beautiful cover of which is featured in my post of 24th July, is lavishly illustrated.